Yan Jun will recreate his Living Room Tour project, initiated in 2011,the project was developed as a solo project and later with guests to become the Impro Committe collaboration project (2014, Beijing).
The Living Room Tour project has to takes place at someone’s home, a place while he/she lives. whatever the size is, with or without speakers, has or has no electricity; at least one audience is required and the owner of the home is encouraged to invite audiences. The performers may use furniture, kitchenware or anything available. The initial idea of this project came from feeling tired about low-end speakers and wanting to create a sonic space without the expense or formalities which go with this. He says the concert is a temporary mandala, a metaphor for the world. Within this environment is a destabilisation of hierarchy and there is no difference between large and small or professional and amateur. The quality of listening is from participants’s devotion.
In the last few years, many of Oliver Husain’s projects have spawned from hearsay, rumour, or chance encounters. During the residency, Husain will research and explore the history of the hair animation industry in commercial film and photography which, as the rumour goes, used to be highly developed in Singapore until the rise of digital animation in the 2000s. Fascinated by the abstract and poetic qualities of the purposeless movement of hair freed from narrative constraints and product placement needs, the artist plans to delve into unofficial and queer forms of knowledge by conducting fieldwork in hair salons and interviewing senior hair stylists. At the same time, he will research and collect fashion editorials, photographs, films, and other extant materials of the time in preparation for an experimental hair animation to be possibly realized in collaboration with Computer-generated imagery (CGI) experts in Singapore.
The artist was scheduled to be in-residence from July – September 2020. Due to the COVID-19 virus outbreak and international travel restrictions, the artist was unable to participate in the residency programme physically.
Marianna Simnett made a new film Tito’s Dog (2020) as part of the Residencies Online Screening Programme Stakes of Conscious(ness), conceived by Dr Anna Lovecchio for the three artists whose residency at NTU CCA Singapore has been disrupted by the viral pandemic.
Manuel Pelmuş is a choreographer active in the Bucharest dance community. Pelmuş graduated from the Floria Capsali dance school and worked at the Hamburg Opera; he eventually moved away from his classical training to explore more politically charged, avant-garde styles.
Nanthiyni Aravindan (Singapore) is studying Visual Communication at Nanyang Academy of Fine Arts. Her passion for illustration and painting has brought her to explore both traditional visual languages and digital techniques. Her artistic production revolves around zoological and mythical creatures. “The New Ordinary” a mix media work she produced in 2020 was selected as a finalist at the Crowbars Award.
Munir Alsagoff (Singapore), or MOON, has 20 years of performance experience as a guitarist and DJ. He is equally adept on the electric and acoustic guitar, and is greatly influenced by classical, jazz, soul, world and dance music. MOON has performed at festivals in Singapore and around the Asia-Pacific region like the renowned Java Jazz in Jakarta. MOON does live collaborations with DJs at venues such as CE LA VI, W Singapore, Zouk and local conscious event, Tropika, and is part of Beatroot, a global inspired music collective that fuses visuals, beats and live music elements into their performances.
Sivakumar Palakrishnan (Singapore) is an actor who has worked in television, film and theatre. Some of his theatrical credits include The Kalinga Trilogy (Miror Theatre) and We Are Like This Only! (HuM Theatre). He has received nominations at the Pradhana Vizha, Vasantham Channel’s Television awards, and won for his performance in Veethi Varai. Siva is recognized for his role in K Rajagopal’s A Yellow Bird, which premiered at the International Critics’ Week at the Cannes Film Festival in 2016. Currently, he is a cast member in Channel 5’s television drama series, Tanglin.
Bharathi Moorthiappan (Singapore) has a Masters Degree in Tamil and interested about teaching, learning, writing and speaking in the Tamil language. Bharathi pursues her passion through her Tamil education company where she encourages reading among her students. Bharathi is also an avid reader of books translated from other languages as a way to experience various cultures and travel the world.
Ashwinii Selvaraj (Singapore) is an undergraduate studying Political Science in the National University of Singapore. Her keen interest to write in the Tamil language have produced works that have been published in short story collections such as Akkarai Pachai (Greener Pastures). In addition to being a writer, she translates English articles for the Serangoon Times, a Tamil literary magazine published in Singapore. She has also won multiple awards and prizes including the Prime Minister’s Book Prize Award (2015) and National Poetry Festival competition (2015), as well first prize for the ASEAN-India Pravasi Bharathiya Divas Conference Tamil poetry competition (2018).
Mohamed Noor (Singapore) grew up in a musical family, and began his music career playing percussion at the age of 5 for a performance at The Victoria Theater. A multi-instrumentalist, Noor grew up playing the tabla, drums, mandolin, keyboards, clarinet, Indian karnatic flute and saxophone, to name a few. Noor currently plays more than 25 percussion instruments from around the world and has performed in many music festivals including the ASEAN Jazz Festival (Malaysia), Heineken Jazz Festival (Singapore), Big Bang Percussion Festival (London), Singapore Arts Festival, Penang Jazz, Jarusum International Jazz Festival, Nanning International Folk Song Festival, and the Tokyo International Performing Arts festival.