Unfolding through visual, narrative, and performative acts, ila’s artist practice revolves around urgencies for repair, care, and mutual support. Amid frustrations resulting from the ever-shifting urban landscape and rising social inequalities, the artist is interested in navigating the collective emotional psyche through the notion of “wounded city” as described by cultural geographer Karen E. Till. By way of personal and collective exercises, she intends to warp existing spatial relations, map new pathways onto the urban fabric, and engage in the process of memory-work to open up entry points into places of the present through both subjective experiences and stories of the past. These exercises are intended as individual and collective forms of resistance to physical displacement, affective mutilations, and social disempowerment as well as symbolical remedies to mend ecosystem(s) permeated by alienation and loss. Throughout the process, the artist imagines the studio as a fluid space that can offer respite from the outside, resonate with the presence of its different inhabitants, and wherein her roles as mother and artist are organically integrated.