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Zarina Muhammad (b. 1982, Singapore) is an artist, educator, and researcher whose practice critically re-examines oral histories, ethnographic literature, and historiographic narratives of Southeast Asia. Working at the intersections of performance, text, installation, ritual, sound, moving image, and participatory practice, her work explores the enmeshed contexts of ecocultural cosmologies, identities and interactions, mythmaking, haunted historiographies, and geo-spirited landscapes. Her long-term interdisciplinary project investigates Southeast Asia’s evolving relationship with spectrality, ritual magic, polysensoriality, and the immaterial, examining these themes against the backdrop of global modernity, the social production of rationality, and transcultural exchanges of knowledge. Her work has been widely presented at international biennales and institutions, including FotoFest Biennial, Houston, USA (2024), the 2nd Diriyah Contemporary Art Biennale, Saudi Arabia (2024), the 7th Singapore Biennale (2022), and the 3rd Lahore Biennale, Pakistan (2024). She recently had a solo presentation, curated by Shubigi Rao, at the Singapore Pavilion at the 15th Gwangju Biennale, South Korea (2024). Zarina is the recipient of the 2022 IMPART Art Prize.

Ng Hui Hsien (b. 1982, Singapore) works as an artist, educator, and curator. Through her artworks, she seeks to evoke stillness and wonder, especially towards our inner landscapes and the more-than-human world. Her work is informed by phenomenology, one that sees our bodies as sites of knowledge and one curious about our relations with the living earth. Ng has received solo exhibitions at Objectifs Centre of Photography and Film, Singapore (2023), Grey Projects, Singapore (2020-2021), Comma Space, Singapore (2020), and Reykjavík Museum of Photography, Iceland (2018-2019). Her work has been internationally exhibited at institutions and festivals such as Shanghai Art Book Fair, China (2019), Martin Parr Foundation, Bristol, UK (2018), the PhotoBangkok Festival, Thailand (2018), Obscura Festival of Photography, Penang, Malaysia (2018), Dali International Photography Festival, China (2018), and Athens Photo Festival, Greece (2018) among others. She holds a Master of Arts in Photography from University of the West of England and a Master of Social Sciences from National University of Singapore.

The Observatory is a band whose music and cultural ethos responds and speaks back to the contemporary afflictions in Singapore and the global milieu. Its current constellation comprises multi-instrumentalists Cheryl Ong, Dharma and Yuen Chee Wai who tread on improvisation, intermedia, experimentation and noise-adjacent territories. In confronting new forms of disorders, The Observatory restlessly turns upon itself to agitate, to comfort and to resist. Drawing on old and new lexicons, The Observatory seeks to bridge artists and expressions. Two decades on, the band’s polymath practice encompasses music and performance; in-person festivals and online radio shows; touring gigs and interdisciplinary exhibitions.