With a background in literature and physics, Citra Sasmita is a self-taught painter who turned to the visual arts after working as an illustrator at a local newspaper in Bali. By unravelling myths and misconceptions that persist in Balinese culture, her work imagines secular mythologies for a post-patriarchal future. She is deeply invested in the social empowerment of women and in questioning gender hierarchies and normative constructs. Her work is regularly exhibited within Indonesia and has been presented internationally at the Kathmandu Triennale, Nepal (2021–2022); and ParaSite Hong Kong (2020). In 2020, she received for the UOB Museum MACAN Children’s Art Space Commission and she is the Gold Award Winner of the  UOB Painting of The Year 2017.

Hoo Fan Chon is a visual artist whose practice explores taste and foodscapes as cultural and social constructs. His research-driven projects examine how value systems fluctuate as people move from one culture to another. Reframing mundane aspects of everyday life with irony and wry humour, his multimedia works address notion of cultural authenticity and they set in motion the frictions and the overlaps produced by the migration of cultural symbols between different sociocultural contexts. Hoo recently received a solo exhibition at The Back Room, Kuala Lumpur, Malaysia (2021) and he has participated in a number of group shows in Asia. Also active as a curator and a grassroot cultural producer, he is involved with Run Amok Gallery, an art gallery and alternative space in George Town he co-founded in 2013.

Vuth Lyno is an artist, curator, and educator who is interested in space, cultural history, and the production of knowledge through social relations. Drawing on a wide range of materials such as interviews, artifacts, and newly made objects, he creates spatial configurations that weave together personal stories and collective bodies of knowledge. Participatory and experimental in nature, his artistic and curatorial approach is rooted in communal learning and aims to engage a multiplicity of voices in the production of meaning. He is a member of Stiev Selapak, a collective which founded and co-runs Sa Sa Art Projects in Phnom Penh, a long-term initiative committed to the development of the contemporary visual arts landscape in Cambodia. His work has been presented at several group exhibitions and institutions such as the Bangkok Art and Culture Centre, Thailand (2020) and the 9^th Asia Pacific Triennial, Brisbane, Australia (2019), amongst others.

WIELS is the main centre for contemporary art in Europe’s capital city. An international laboratory for innovation and creative practices that aims to enrich the debate, open up new perspectives and stimulate the senses, enhancing cultural mobility and interactions with creators and authors from other cultures and geographies. As a space dedicated to the transmission of knowledge, support and professionalisation of emerging and less-visible artists since its inception in 2007, WIELS occupies a central position in the art scene from Brussels and Europe and puts its know-how at the service of artistic invention and innovation. For the second decade, after having established global connectivity, WIELS engages in new efforts to connect artists and intellectuals from east and South-east Asia, Africa, and Latin America.

HIAP – Helsinki International Artist Programme is an international artist residency organisation which was established in 1998. The HIAP residency programme offers time and space for developing new work in dialogue with the local art scene. The goal is to support experimental, cross-disciplinary art practices and to actively contribute to topical debates within and around the context of art.

Villa Arson is a highly regarded public institution of the French ministry of culture and a member of Université Côte d’Azur located in Nice on an exceptional site overlooking the Bay of Angels. Its architectural ensemble includes an 18th century Italian-style villa set in a Mediterraneangarden and modern constructions built in the 1960s by French architect Michel Marot that have been labeled «Remarkable contemporary architecture. Villa Arson combines several complementary functions in favor of contemporary creation: teaching, research, experimentation, production, dissemination, promotion and support. The Villa Arson school of art, contemporary art center, artists’ residency and specialised library form a unique ecosystem dedicated to supporting young generations of artists towards professional practices, presenting original artistic visions and facilitating critical exchange with an international perspective. Villa Arson welcomes residents for its teaching and research activities and within the framework of tailored partnerships for artistic production and research.