Zai Tang —Residencies |  NTU CCA Singapore
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The NTU CCA Singapore Residencies programme is an integral part of the NTU CCA Singapore’s mission as a research centre and hosts artists, curators, critics and scholars from Singapore and abroad. The studio-based Residencies programme is dedicated to facilitating the production of knowledge and research for and by established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia, augmented with public events Residencies: Insights / Studio Sessions / OPEN series, ranging from open studio sessions, lectures, live performances, to special projects in The Lab, NTU CCA Singapore’s space for curatorial experimentation. The application for residency at NTU CCA Singapore is via nomination, please email for more information.


Zai Tang

Residency period

02 April – 28 September 2018


Zai Tang (b. 1984, United Kingdom) is an artist, composer, and sound designer based in Singapore. Employing a wide range of analogue and digital technologies, his practice experiments with different ways to translate the audible in visual phenomena. Recent exhibitions and collaborations include 2nd Yinchuan Biennale, China (2018); Resident Frequencies, National Gallery Singapore (2017); Railtrack Songmaps, Gillman Barracks, Singapore (2016); SOUND: Latitudes & Attitudes, Institute of Contemporary Arts Singapore (2014). Tang participated as a guest musician to Tarek Atoui’s exhibition The Ground: From the Land to the Sea, NTU CCA Singapore (2018).


Object-orientated ontology (OOO) is a 21st-century school of thought that rejects the primacy of human existence over non-human objects, thus generating different perspectives on ecological thinking. Combining an ongoing interest in natural environments threatened by urban development with his practice of capturing sonic emanations of the non-human inhabitants of our planet, Tang aims to further his understanding of OOO and sharpen theoretical tools that challenge anthropocentric hierarchies and understanding of nature. The space of the studio provides him with the opportunity to test immersive multisensorial installations that visualize and animate field recordings taken in various natural environments in Singapore. During the residency, the artist is working on new sound compositions and modes of listening that forge alternative connections between humans and nonhumans. He is also experimenting with drawing to create “visual scores” in response to his soundscapes.