Việt Lê —Residencies |  NTU CCA Singapore
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The NTU CCA Singapore Residencies programme is an integral part of the NTU CCA Singapore’s mission as a research centre and hosts artists, curators, critics and scholars from Singapore and abroad. The studio-based Residencies programme is dedicated to facilitating the production of knowledge and research for and by established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia, augmented with public events Residencies: Insights / Studio Sessions / OPEN series, ranging from open studio sessions, lectures, live performances, to special projects in The Lab, NTU CCA Singapore’s space for curatorial experimentation. The application for residency at NTU CCA Singapore is via nomination, please email for more information.


Việt Lê

Residency period

7 May – 5 Jul 2018


Việt Lê (b. 1976, Vietnam/United States) is an artist, writer, curator, and academic based in California, United States. Recent projects twist the formats of pop music videos and place trauma, representation, sexuality, and spiritualties within the framework of visual studies, ethnography, queer theory, and diasporic histories. Lê has recently presented his work at Pitzer College Art Galleries, Claremont, United States (2018) and Bangkok Art and Cultural Center, Thailand (2013) and in the solo exhibition lovebang! at Kellogg University Art Gallery, Los Angeles, United States (2016). He is a co-founder of The Diasporic Vietnamese Artists Network (DVAN).


Over the past five years, Việt Lê has been collecting film footage as well as sociological, historical, and archival materials for his experimental film trilogy Sonic Spiritualties. Interweaving the artist’s interest in popular culture and diaspora studies, the trilogy explores the impact of economic and environmental turbulences on music and various forms of spirituality in Southeast Asia. By framing situations where Buddhism meets pop music and violent displacement is translated into songs, the trilogy envisages sonic environments that challenge the borders of traditional and experimental music, the sacred and the mundane, the sublime and the banal. Halfway between documentary and music video, this hybrid production re-envisages the relationship between music and spiritual practices by working across dance, art history, ethnomusicology, and anthropology. Lê’s residency is dedicated to pursuing follow-up research and post-production editing for the final stages of this project.