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The NTU CCA Singapore Residencies programme is an integral part of the NTU CCA Singapore’s mission as a research centre and hosts artists, curators, critics and scholars from Singapore and abroad. The studio-based Residencies programme is dedicated to facilitating the production of knowledge and research for and by established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia, augmented with public events Residencies: Insights / Studio Sessions / OPEN series, ranging from open studio sessions, lectures, live performances, to special projects in The Lab, NTU CCA Singapore’s space for curatorial experimentation. The application for residency at NTU CCA Singapore is via nomination, please email for more information.


Sean Connelly

Residency period

1 October – 21 December 2018


Sean Connelly (b.1984, United States) is an artist, urban ecologist, and architect. His research addresses the role of innovative design in recovering ahupua‘a, a traditional Hawaiian spatial configuration. Connelly operates both independently and collaboratively out of his studio practice After Oceanic which pursues projects in the realms of architecture, landscape, and infrastructure. He is also the author and producer of Hawai‘i Futures, a virtual intervention and educational tool for island urbanism. His work has been shown across the United States at the Honolulu Biennale (2017); Honolulu Museum of Art (2015) and Santa Fe Art Institute (2016).    


In Hawaiian, the native word “au” combines notions of space, time, and flow into a single term suggesting the existence of an ecologically fluid worldview. Challenging the supremacy of Western science as well as the entrenched perceptions of the Pacific Islands and their people as fatefully remote and “scattered,” Sean Connelly has embarked on a long-term project titled Hydraulic Islands, comprising a multi-part anthology and a new-media atlas, that revolves around the pivotal role Hawa'i plays in the history and future of human settlements across Oceania and beyond. During the residency, the artist will work on the graphic atlas which results from a combination of geographic information system (GIS) technologies, counter-mapping techniques, and extensive fieldwork across Hawai'i. By delving deep into aboriginal ecologies, planetary systems, and network economies, he aims to recover indigenous knowledge and practices that can advance more sustainable oceanic systems of urbanism, energy, economy, and time as they relate to cities and natural resources.