3 October 2017 – 29 March 2018
Michael Lee (b. 1972, Singapore) is an artist, curator, and publisher based in Singapore. Researching urban memory with a marked interest in loss, its contexts, and implications, Lee’s observations often merge personal and national narratives and are variously translated into objects, diagrams, situations, curations, and texts. He has presented his work in solo exhibitions at Yavuz Fine Art, Singapore, 2014; Künstlerhaus Bethanien, Berlin, Germany, 2013; Hanart TZ Gallery, Hong Kong, 2010. His work has also been included in international group exhibitions such as Shenzhen Sculpture Biennale, China, 2014, and Asia Triennial Manchester, United Kingdom, 2011, among others. Lee is the founding director of Studio Bibliothèque, a platform which facilitates experiments in art making, curating, and publishing. He was a co-curator of An Atlas of Mirrors, Singapore Biennale, 2016.
His editorial projects include the series Corridors: Notes on the Contemporary (Singapore: Studio Bibliothèque, 2013) and Who Cares: 16 Essays on Curating in Asia, co-edited with Alvaro Rodriguez Fominaya, (Hong Kong: Para/Site Art Space, 2010.)
He was awarded the APBF Signature Art Prize People’s Choice Award in 2011 and
the National Arts Council’s Young Artist Award (Visual Arts) in 2005.
During the residency, Lee will expand his interest in urban phenomena and inner structures by focusing on cutaways: openings created through the partial removal of the external surface of an object that makes its internal features visible. The artist will research and select a number of case studies in Singapore to explore the function of cutaways with in the urban context and engage with overlooked issues regarding art, architecture, and urban design.
Informed by several theories in the fields of film studies, linguistics, and graphic design, Lee regards cutaways as a method of investigation, a concealment device that can open up a different understanding of urban processes and anxieties as well as provide a penetrating insight into the deep-seated desires of the city.