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Artist-in-residence

The NTU CCA Singapore Residencies programme is an integral part of the NTU CCA Singapore’s mission as a research centre and hosts artists, curators, critics and scholars from Singapore and abroad. The studio-based Residencies programme is dedicated to facilitating the production of knowledge and research for and by established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia, augmented with public events Residencies: Insights / Studio Sessions / OPEN series, ranging from open studio sessions, lectures, live performances, to special projects in The Lab, NTU CCA Singapore’s space for curatorial experimentation. The application for residency at NTU CCA Singapore is via nomination, please email NTUCCAresidencies@ntu.edu.sg for more information.

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Luca Lum

Residency period

02 April – 28 September 2018

About

Interested in ideas of language, (anti)literature, vulnerability, vampirism, intimacy, double-agency and double-binds, affect and mourning, genre and the event, the singular and the common, Luca Lum (b. 1991, Singapore) works at the intersections of art, performance, poetry, fiction, as well as curatorial projects. She is an alumna of Writing Lab and Curating Lab 2014 (Singapore), Triple Canopy’s 2015 Summer Intensive (New York). She is a co-founder of soft/WALL/studs, an artist-run space that blends studio practice, project space, and a resource library. Alongside Kenneth Tay, she edited the CONCRETE ISLAND Reader appearing as a viral persona named “BadMuser”. Her projects and performances have been presented at Cemeti Institute of Art and Society, Yogyakarta, Indonesia (with soft/WALL/studs, 2018); Yeo Workshop, Ikkan Art Gallery, NUS Museum, Singapore (2016); LUMA Westbau, Zurich, Switzerland (2015).

Focus

Launched in 2014 by the Singapore government, the Smart Nation initiative aims to enhance economic productivity and urban efficiency through technological streamlining and boundary marking of territory and bodies. With reference to the context of Singapore’s ongoing and past digital transformations, Luca Lum turns to the city, its atypical bodies, and the “soft sites” of capital. She begins first by focusing on the diffractive relationship between two sites: Geylang, a lesser known testbed to many Smart Nation initiatives, and Marina, Singapore’s anchoring “global” image. Understanding the optical phenomena of diffraction and iridescence as relational geometries that entangle positions of proximity and distance, states of affection, and modes of interference, Lum aims to weave together otherwise diffuse images, subjects, and objects into a new set of relations that will set the parameters of reality anew. Her working methodology will cut across fictional and descriptive writing, grey literature, recordings, collage, and archive.