John Torres —Residencies |  NTU CCA Singapore
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Artist-in-residence

The NTU CCA Singapore Residencies programme is an integral part of the NTU CCA Singapore’s mission as a research centre and hosts artists, curators, critics and scholars from Singapore and abroad. The studio-based Residencies programme is dedicated to facilitating the production of knowledge and research for and by established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia, augmented with public events Residencies: Insights / Studio Sessions / OPEN series, ranging from open studio sessions, lectures, live performances, to special projects in The Lab, NTU CCA Singapore’s space for curatorial experimentation. The application for residency at NTU CCA Singapore is via nomination, please email NTUCCAresidencies@ntu.edu.sg for more information.

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John Torres

Residency period

8 January – 28 March 2019

About

John Torres (b.1975, the Philippines) is an independent film director, producer, and writer widely acclaimed for his highly personal and poetic style. Weaving together archival clips, found footage, and visually powerful imagery, his films unfold narrative structures, often with strong autobiographical references, that defy conventional tropes and genres. Torres has received solo retrospectives at The Reading Room, Bangkok, Thailand (2015); Vienna International Film Festival (2013), and the 12th Seoul International New Media Festival, South Korea (2012). His most recent feature film People Power Bombshell: The Diary of Vietnam Rose, premiered at the International Film Festival Rotterdam, Netherlands, in 2016 and received Special Mention at the 6th Curitiba International Film Festival, Brazil in 2017.

Focus

During the residency, John Torres plans to experiment with “parasitical filmmaking strategies” as the starting point of a series of works he intends to realise throughout Southeast Asia. By positioning himself at the periphery of ongoing film productions, Torres will collect their multiple “excesses:” spillages in light, sound, props, furniture, scenic design, and everything that may linger outside the perimeter of the main set. Tapping onto other directors’ scraps and making use of resources that have already been paid for to create his own separate narrative, the artist aims to test out a playful method for bypassing the financial limitations of independent film productions. In light of his recent role as father, this work will be developed within the framework of Remote Daddy Project: a way of structuring the artist’s work schedule around his daughter’s sleep and feeding schedule so as to strike a balance between making art and raising a family.

Public programmes

Residencies OPEN
25 Jan 2019, Fri 07:00 PM - 11:00 PM
26 Jan 2019, Sat 02:00 PM - 07:00 PM

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Residencies OPEN offers a rare insight into the often-introverted sphere of the artist studios. Through showcasing discussions, performances, installations, and works-in-progress, Residencies OPEN profiles the diversity of contemporary art practice from around the globe and the divergent ways artists conceive an artwork with the studio as a constant space for experimentation and research.

Come meet our current Artists-in-Residence in their studios! Featuring Francisco Camacho Herrera (Colombia/Netherlands), Daniel Hui (Singapore), Soyo Lee (South Korea), John Low (Singapore), Tan Kai Syng (Singapore), and John Torres (Philippines).

 

Image caption: Residencies OPEN, January 2018.