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Artist-in-residence

The NTU CCA Singapore Residencies programme is an integral part of the NTU CCA Singapore’s mission as a research centre and hosts artists, curators, critics and scholars from Singapore and abroad. The studio-based Residencies programme is dedicated to facilitating the production of knowledge and research for and by established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia, augmented with public events Residencies: Insights / Studio Sessions / OPEN series, ranging from open studio sessions, lectures, live performances, to special projects in The Lab, NTU CCA Singapore’s space for curatorial experimentation. The application for residency at NTU CCA Singapore is via nomination, please email NTUCCAresidencies@ntu.edu.sg for more information.

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Izat Arif

Residency period

1 October – 28 December 2018

About

In the multidisciplinary practice of Izat Arif (b.1986, Malaysia) videos, drawings, and readymade objects are combined into intricately layered installations. His work often conveys an ironic commentary on everyday life and the art ecosystem of Kuala Lumpur. He has participated in several group exhibitions including A History of Drawing, Camberwell College of Arts, London, United Kingdom (2018); Malaysia Art: A New Perspective,   Richard Koh Fine Art, Singapore (2016); Young Malaysian Artist: New Object(ion) II, Galeri Petronas and Young Contemporaries at National Visual Arts Gallery, both Kuala Lumpur, Malaysia (2013). Izat Arif is one of the founding members of the collective Malaysian Artist Intention Experiment (MAIX).

Focus

Building on the unique opportunity to explore wilderness within the urban context, Izat Arif’s research project aims to survey the topography, history, social memory, and natural environment of the patch of jungle located within the compound of Gillman Barracks. Provisionally titled Living Methods in City Jungle, this investigation is a continuation of an earlier project initiated in 2016 by the artist collective Malaysian Artists’ Intention Experiment (MAIX), of which the artist is a member. The group engaged in manifold activities including planting trees, collecting samples, and gathering information from the locals about traditional beliefs and practices in a tract of forest reserve situated in Perak, Northern Malaysia. Employing similar methodologies, he aims to conduct extensive fieldwork during the residency. The findings will materialise as drawings, photocollages, sound and video recordings, a tool cabinet, and they might potentially coalesce into a guidebook which mobilises both the familiar and the unfamiliar aspects of the territory.