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Filipa Ramos —Residencies |  NTU CCA Singapore
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Curator-in-residence

Committed to supporting artists, curators, and researchers by offering them time and space to pursue their research without the pressure of deadlines and production commitments, the Residencies Programme values the open-ended nature of artistic research and embraces multiform expressions of creative enquiry. Aiming to facilitate the production of knowledge, this studio-based programme is dedicated to established and emerging artists and serves as platform for critical exchange in Southeast Asia. The Residencies Programme offers a wide spectrum of programmes aimed at sharing the process of artistic research with the public - Residencies OPEN / Studio Sessions / Insights, which range from open studios, artists’ talks, conversations, performances, and screenings. The Residencies Programme unfolds through annual cycles and runs by nomination only. Every year, a rotating pool of curators and arts professionals from all over the world is invited to nominate two artists for the residency. The nominated artists are subsequently invited to submit a research proposal along with their portfolio and CV. Ultimately, the Residencies Committee, an international panel of experts, reviews the submitted materials and designates the artists who are awarded the residency.

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Filipa Ramos

Residency period

9 – 12 February 2016

About

Filipa Ramos (b. 1976, Portugal) is Editor in Chief of art-agenda and a lecturer in the Experimental Film M.A. programme of Kingston University, and in the M.Res. Art: Moving Image of Central Saint Martins, both in London. Ramos is co-curator of Vdrome, a programme of screenings of films by visual artists and filmmakers. In the past she was Associate Editor of Manifesta Journal, curator of the Research Section of dOCUMENTA (13), and coordinator of The Most Beautiful Kunsthalle in the World project at the Antonio Ratti Foundation. She is the co-author of the book Lost and Found – Crisis of Memory (2009) and is working on a reader on writings on animals to be published in fall 2016.

Focus

Filipa Ramos will lead an Exhibition (de)Tour of Joan Jonas: They Come to Us Without a Word. Joan Jonas’s work is inhabited by a multitude of human and non-human creatures, which traverse her drawings, videos, and performances in a plurality of gestures and configurations. Assembled in idiosyncratic, non-narrative manners, these animal selves propose new temporal conventions and ways of being in the world. Ramos’ (de)Tour will be a journey across the creatures Jonas summons and collaborates with through her work. Ramos will also connect with artists and writers and explore the Singapore art scene as well as the larger region of Southeast Asia.

Public programmes

Exhibition (de)Tour with Filipa Ramos, NTU CCA Singapore Curator-in-Residence and curator (United Kingdom)
10 Feb 2016, Wed 7:30pm - 9:00pm

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Joan Jonas’ work is inhabited by a multitude of human and non-human creatures, which traverse her drawings, videos, and performances in a plurality of gestures and configurations. Assembled in idiosyncratic, non-narrative manners, these animal selves propose new temporal conventions and ways of being in the world. Filipa Ramos(de)Tour will be a journey across the creatures Joan Jonas summons and collaborates with through her work.

This Exhibition (de)Tour is part of the Education and Public Programme of Joan Jonas: They Come to Us without a Word.

Filipa Ramos is Editor in Chief of art-agenda and a lecturer in the Experimental Film M.A. programme of Kingston University, and in the M.Res. Art: Moving Image of Central Saint Martins, both in London. Ramos is co-curator of Vdrome, a programme of screenings of films by visual artists and filmmakers. In the past she was Associate Editor of Manifesta Journal, curator of the Research Section of dOCUMENTA (13), and coordinator of The Most Beautiful Kunsthalle in the World project at the Antonio Ratti Foundation. She is the co-author of the book Lost and Found – Crisis of Memory (2009) and is working on a reader on writings on animals to be published in fall 2016.