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The NTU CCA Singapore Residencies programme is an integral part of the NTU CCA Singapore’s mission as a research centre and hosts artists, curators, critics and scholars from Singapore and abroad. The studio-based Residencies programme is dedicated to facilitating the production of knowledge and research for and by established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia, augmented with public events Residencies: Insights / Studio Sessions / OPEN series, ranging from open studio sessions, lectures, live performances, to special projects in The Lab, NTU CCA Singapore’s space for curatorial experimentation. The application for residency at NTU CCA Singapore is via nomination, please email for more information.


Chun Kaifeng

Residency period

3 July – 31 October 2017


Singapore artist Chun Kaifeng deals with things that linger in the background of the built environment. His practice is premised upon a close observation of those everyday fixtures and ordinary elements that populate the contemporary urban landscape. Absorbed, reconfigured, and abstracted through a rigorous sculptural language, familiar items such as benches, railings, lightbox signs, and trash bins resurface in the gallery space as objects that, in the artist’s own words, possess a mysterious “sense of insularity”.

Chun Kai Feng (b. 1982) is an artist, curator, exhibition designer, and educator. He graduated from Nanyang Academy of Fine Arts and received a Master from the Glasgow School of Art, United Kingdom. His works have been exhibited extensively in Singapore and have been included in group shows at Frac des Pays de la Loire, France and ifa-Galerien, Berlin, Germany (2015). He received the National Arts Council Young Artist Award in 2015 and has been Artist-in-Residence at Ruangrupa Art Lab, Jakarta, Indonesia
and Ateliers Internationaux, Frac des Pays de la Loire, France.


During his residency, Chun will pursue his exploration of the inconspicuous fixtures of the urban environment shifting from a detached approach to a more active engagement that involves connecting with the public agencies in charge of the design, production, and installation of such elements. He is also contemplating to create a performance piece which will lend voice to a range of common objects.