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The NTU CCA Singapore Residencies programme is an integral part of the NTU CCA Singapore’s mission as a research centre and hosts artists, curators, critics and scholars from Singapore and abroad. The studio-based Residencies programme is dedicated to facilitating the production of knowledge and research for and by established and emerging artists. It serves as a forum for cultural and artistic exchange in Southeast Asia, augmented with public events Residencies: Insights / Studio Sessions / OPEN series, ranging from open studio sessions, lectures, live performances, to special projects in The Lab, NTU CCA Singapore’s space for curatorial experimentation. The application for residency at NTU CCA Singapore is via nomination, please email for more information.


Bui Cong Khanh

Residency period

04 December 2017 – 31 January 2018


The artist practice of Bui Cong Khanh (b. 1972, Vietnam) often addresses social and political implications embedded in the notion of cultural heritage. He first gained international recognition in the 1990s through performances that questioned restrictions of individual expression in his own country at a time of political turmoil. Initially focused on oil painting, his practice has come to encompass mediums such as sculpture, installation, video, and drawing often combining traditional fine arts and a conceptual approach.

Recent solo projects include exhibitions at Sàn Art and The Factory Contemporary Arts Centre, Ho Chi Minh City, Vietnam (2016). His works have been presented at the Asia Pacific Triennial of Contemporary Art, Brisbane, Australia (2009); Bangkok Art and Culture Centre, Thailand (2013 and 2015), and Arter, Istanbul, Turkey (2014). He currently lives and works between Ho Chi Minh City and Hoi An, Vietnam.


Bui Cong Khanh is interested in studying historical flows of Chinese immigration across the Southeast Asian region, and Singapore in particular, by tracking down the movements of Chinese porcelain artifacts. His research intertwines the Chinese ancestry of the artist’s own family and traditional forms of Chinese cultural heritage, while concurrently addressing the complexities embedded in the construction of national identities. During his residency, he also plans to collaborate with local kilns and porcelain workshops.