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Anna Daneri —Residencies |  NTU CCA Singapore
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Curator-in-residence

Committed to supporting artists, curators, and researchers by offering them time and space to pursue their research without the pressure of deadlines and production commitments, the Residencies Programme values the open-ended nature of artistic research and embraces multiform expressions of creative enquiry. Aiming to facilitate the production of knowledge, this studio-based programme is dedicated to established and emerging artists and serves as platform for critical exchange in Southeast Asia. The Residencies Programme offers a wide spectrum of programmes aimed at sharing the process of artistic research with the public - Residencies OPEN / Studio Sessions / Insights, which range from open studios, artists’ talks, conversations, performances, and screenings. The Residencies Programme unfolds through annual cycles and runs by nomination only. Every year, a rotating pool of curators and arts professionals from all over the world is invited to nominate two artists for the residency. The nominated artists are subsequently invited to submit a research proposal along with their portfolio and CV. Ultimately, the Residencies Committee, an international panel of experts, reviews the submitted materials and designates the artists who are awarded the residency.

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Anna Daneri

Residency period

5 – 25 January 2016

About

Anna Daneri is co-founder and adjunct curator of Peep-Hole, collaborator with Fondazione Meru (for which she initiated the Meru Art*Science Award), and editor of Peep-Hole Sheet. In 2015 she was the production manager for They Come to Us without a Word by Joan Jonas for the U.S. Pavilion at the 56th Venice Biennale. She has worked on international exhibitions including Food (Geneva, 2012), The Mediterranean Approach (Venice/Marseille/Sao Paolo, 2011), The Inadequate (project by Dora Garcìa for the 54th Venice Biennale), Collateral (Milan/Sao Paolo, 2008), Joan Jonas – My Theater (Trento, 2007). She collaborated with Art for the World (1996-2013) and with Fondazione Antonio Ratti (1995-2010), and was professor of Contemporary Art Phenomenology at the Accademia Carrara di Belle Arti in Bergamo (2003–2007).

Focus

Anna Daneri has worked with Joan Jonas on several occasions in the past, and was the production manager for the presentation of They Come to Us without a Word at the U.S. Pavilion during the 56th Venice Biennale. While in residence Daneri will give a Curatorial Tour of Joan Jonas: They Come to Us without a Word at the NTU CCA Singapore and will provide a deeper understanding of Jonas' way of working and share insights into how the artist developed the different elements of her exhibition. Daneri will research Singapore’s port city status and different mutations of trade and migration and how this has affected the psychogeographic landscape of Singapore. She will also connect with local artists to gain an awareness of Singaporean arts communities.

Public programmes

Curatorial Tour with Anna Daneri, curator (Italy)
23 Jan 2016, Sat 11:00am - 1:00pm

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Anna Daneri has worked with Joan Jonas on several occasions, and was the production manager for the presentation of They Come to Us without a Word at the US Pavilion during the 56th Venice Biennale. Her tour will provide a deeper understanding of Jonas’ way of working and share insights into how the artist developed the different elements of her exhibition.

This curatorial tour is part of the Education and Public Programme of Joan Jonas: They Come to Us without a Word.

Anna Daneri is co-founder and adjunct curator of Peep-Hole, collaborator with Fondazione Meru (for which she initiated the Meru Art*Science Award), and editor of Peep-Hole Sheet. In 2015 she was the production manager for They Come to Us without a Word by Joan Jonas for the US Pavilion at the 56th Venice Biennale. She has worked on international exhibitions including Food (Geneva, 2012), The Mediterranean Approach (Venice/Marseille/Sao Paolo, 2011), The Inadequate (project by Dora Garcìa for the 54th Venice Biennale), Collateral (Milan/Sao Paolo, 2008), Joan Jonas – My Theater (Trento, 2007). She collaborated with Art for the World (1996-2013) and with Fondazione Antonio Ratti (1995-2010), and was professor of Contemporary Art Phenomenology at the Accademia Carrara di Belle Arti in Bergamo (2003-2007).