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Place.Labour.Capital.

Published by NTU CCA Singapore and Mousse Publishing, 2018
Edited by Ute Meta Bauer and Anca Rujoiu
Design by H55
© 2018 by NTU Centre for Contemporary Art Singapore and Mousse Publishing

English, 29 x 23 cm, 448 pages, colour, 280 illustrations, hardcover
ISBN 978-981-11-3843-0 (NTU Centre for Contemporary Art Singapore)
ISBN 978-88-6749-308-1 (Mousse Publishing)
Distributed by NUS Press (Asia Pacific and the Americas) and Mousse Publishing (Europe)
Copies are available for sale at NTU CCA Singapore and through NUS Press (Asia Pacific and the Americas) and Mousse Publishing (Europe)
S$80

Launch on Friday, 26 January 2018, 8.00 – 8.30pm during The Current Convening #3 
Introduction by editors and designer

Place.Labour.Capital., published by NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) and Mousse Publishing, connects cultural production and artistic research to broader political and social concerns, engaging readers with contemporary debates in Southeast Asia and beyond.

The title of the book refers to the framework employed at NTU CCA Singapore in its first cycle of activities, from 2013 to March 2017, which took Singapore, the world’s second-largest trading port and the economic epicentre of Southeast Asia, as a point of departure to investigate the notion of place, the intersection between locality and the global, labour, and flows of capital.

Unfolding across four broad sections of “The Making of an Institution,” “The Geopolitical and the Biophysical,” “Incidental Scripts,” and “Incomplete Urbanism,” this publication reads as an exhibition. Drawing connections across disciplines and merging theory with practice, Place.Labour.Capital. weaves together a constellation of different bodies of materials from essays, poetry, and fiction to artworks and documentation of the Centre’s past exhibitions.

Richly illustrated, the publication brings together the voices of more than 80 contributors, from former Research Fellows such as Tony Godfrey (Philippines), Regina (Maria) Möller (Germany), T. K. Sabapathy (Singapore), Yvonne Spielmann (Germany), to former Artists-in-Residence including Tiffany Chung (Vietnam/United States), Amanda Heng (Singapore), Shooshie Sulaiman (Malaysia), Lee Wen (Singapore), and Yee I-Lann (Malaysia). Other contributions include those from the Centre’s exhibitions and public programmes such as artists, academics, and curators including Amar Kanwar (India), Lee Weng Choy (Malaysia), David Teh (Australia/Singapore), and June Yap (Singapore).

This extensive publication “reminds us that institution building remains enormously significant as a means of opening up new spaces, claims, communities, dialogues, publics, and trajectories for critical artistic practice.” (Felicity D. Scott, Associate Professor Graduate School of Architecture, Planning and Preservation, Columbia University, New York)

“Drawing together stories, voices, and thinking by leading artists and academics, Place.Labour.Capital. traces the invention of a remarkable model of an institution. The publication is an inspiration and a valuable tool to anyone trying to find ways of building releveant arts institutions for the future.” (Sally Tallant, Director, Liverpool Biennial)

Place.Labour.Capital. takes a reflective look the art institution, and serves as a means to review the parameters of its own position in the present globalised art world and knowledge-production economies. 

The visual concept of the book was conceived by renowned Singapore design firm H55.