NTU Centre for Contemporary Art Singapore is pleased to present The Oceanic, an exhibition focusing on large-scale human interventions in oceanic ecospheres with contributions by 12 artists, filmmakers, composers, and researchers who engage with both the long cultural histories of Pacific Ocean archipelagos and their current conditions.

/>

CALENDAR OF EVENTS
close icon

What's on

MORE    

NTU Centre for Contemporary Art Singapore is pleased to present The Oceanic, an exhibition focusing on large-scale human interventions in oceanic ecospheres with contributions by 12 artists, filmmakers, composers, and researchers who engage with both the long cultural histories of Pacific Ocean archipelagos and their current conditions.

8th Nov, 2017

PRESS RELEASE

The Oceanic

9 December 2017– 4 March 2018

Public Opening: Friday, 8 December 2017, 7.00 – 9.00pm

Media Preview: Thursday, 7 December 2017, 11.00am – 12.00pm

*Artist Newell Harry will be present and is available for interviews.

Other participating artists are available for interviews by email.

NTU Centre for Contemporary Art Singapore is pleased to present The Oceanic, an exhibition focusing on large-scale human interventions in oceanic ecospheres with contributions by 12 artists, filmmakers, composers, and researchers who engage with both the long cultural histories of Pacific Ocean archipelagos and their current conditions. As part of Thyssen-Bornemisza Art Contemporary–Academy’s (TBA21–Academy) The Current, an ongoing research initiative into pressing environmental, economic, and socio-political concerns, NTU CCA Singapore’s Founding Director Professor Ute Meta Bauer was invited to lead the project’s first cycle of expeditions from 2015–17. The featured contributors in The Oceanic are The Current Fellows who joined the expeditions on TBA21–Academy’s vessel Dardanella to Papua New Guinea (2015), French Polynesia (2016), and Fiji (2017).

The expedition to Papua New Guinea, with Laura Anderson Barbata (Mexico/United States), Tue Greenfort (Denmark/Germany), Newell Harry (Australia), and Jegan Vincent de Paul (Sri Lanka/Canada), took as a starting point the concept of the Kula Ring, a ceremonial exchange system practiced in the Trobriand Islands. The second excursion, to French Polynesia, titled Tuamotus, the Tahitian name for distant islands, included Nabil Ahmed (Bangladesh/United Kingdom), Atif Akin (Turkey/United States), PerMagnus Lindborg (Sweden/Singapore), and Filipa Ramos (Portugal/United Kingdom). The atolls Mururoa and Fangataufa were the sites for 193 nuclear tests between 1966 and 1996, despite being declared a biosphere reserve by UNESCO in 1977. Coinciding with the 50th anniversary of the first atomic weapons test on Mururoa, then considered a French colony in Polynesia, this expedition discussed the still neglected long-term impact of nuclear experiments in the Pacific on the populations and the environment. On the third and last expedition of this cycle, the Fijian practice of the Tabu/Tapu, where a community chief demarcates something as “sacred,” or “forbidden,” continued the enquiry on the Polynesian Rahui—a traditional rule system that in recent times became significant for marine conservation and resource management. This journey to the Fijian Lau Islands was joined by The Current Fellows Guigone Camus (France), Lisa Rave (United Kingdom/Germany), and Kristy H. A. Kang (United States/Singapore). Participating in all three expeditions was Armin Linke (Italy/Germany), who not only documented these journeys with his camera, but also questioned the role of image production in such unique yet loaded encounters.

Stemming from this cycle of expeditions, the exhibition addresses various ecological urgencies affecting the ocean and its littorals as a habitat for humans, fauna, and flora, as well as particular aspects of sea governance. Questions addressed in the show include: Who are the regulators of global oceans? Why should communities who only contribute one per cent of the global carbon footprint be among the first ones to be fatally affected by the rise of sea levels caused by global warming? Is the economic benefit of land- and seabed mining evenly shared with the impacted communities? What are the long-term effects of such industries? Who owns the ocean?

The interest in exposing the technology behind the human infrastructures is present in Armin Linke’s video installation OCEANS - Dialogues between ocean floor and water column (2017) while Tue Greenfort explores complex ecosystems and scientific production practices, challenging human understanding of and relationship with nature and culture.

Inspired by the materials used for gift exchanges such as the Kula Ring, Newell Harry documents this practice in his black-and-white photo series (Untitled) Nimoa and Me: Kiriwina Notes (2015–16), and also creates (Untitled) Anagrams and Objects for RU & RU (2015) with text on tapa, a cloth made from softened bark. Likewise incorporating items by artisans from Milne Bay Province, Laura Anderson Barbata produced striking costumes for the performative piece Ocean Calling (2017), created as part of TBA21–Academy’s intervention on World Ocean Day 2017 at the plaza in front of the United Nations Headquarters in New York.

Addressing the exploitation of finite resources, Nabil Ahmed collaborates with other researchers to call for an Inter-Pacific Ring Tribunal (INTERPRT) (2016–ongoing), a long-term investigation into environmental justice in the Pacific region. Lisa Rave’s film Europium (2014) investigates this rare eponymous mineral that has become one of the allures of deep-sea mining—the new gold rush spreading across the global oceans. In Europium, Rave also draws the often-invisible connections between colonialism, ecology, and currencies.

The exhibition will also include a sound component by PerMagnus Lindborg who recorded the land and underwater soundscapes of the Tuamotus in French Polynesia, as well as a film programme selected by Filipa Ramos and other The Current Fellows. Jegan Vincent de Paul will expand his research on socio-economic networks into the Pacific region. In The Lab, the Centre’s project space, anthropologist Guigone Camus will display documentation from the Fiji expedition, as well as diverse materials from her extensive research in Kiribati, while Kristy H.A. Kang will reflect on her experience in Fiji through an iterative installation and research process that will explore vernacular forms of mapping cultural memory and spatial narrative.

The Oceanic marks the start of NTU CCA Singapore’s new overarching research topic CLIMATES. HABITATS. ENVIRONMENTS., which will inform and connect the Centre’s various activities—ranging from research to residencies and exhibitions—for the next three years. This is the third exhibition by the Centre, following Allan Sekula’s Fish Story, to be continued (2015) and Charles Lim Yi Yong’s SEA STATE (2016), to feature long-term, critical enquiries by artists about the radical changes for communities whose livelihoods are inseparable from the sea, the precarious labour at sea, and the irreversible impact of technologically driven human interventions on one of the Earth’s most precious resources, the oceans.

The Oceanic is curated by Ute Meta Bauer, Founding Director, NTU CCA Singapore, and Professor, School of Art, Design and Media, Nanyang Technological University

From 25 – 27 January 2018, on the occasion of the exhibition and coinciding with Singapore Art Week 2018, The Current Convening #3, conceived by Professor Bauer, Markus Reymann, Director of TBA21–Academy, and Stefanie Hessler, Curator of TBA21–Academy, will take place at the Centre, featuring conversations, roundtables, workshops, performances, and screenings. The event will focus on modalities of exchange and shared responsibilities, while addressing the rights of nature and cultures.

PREVIOUS
NEXT

RECENT NEWS

25th Oct, 2017

MEDIA ANNOUNCEMENT: NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) is pleased to announce the artists for the 5th…

2nd Aug, 2017

PRESS RELEASE Ghosts and Spectres – Shadows of History Apichatpong Weerasethakul, Ho Tzu Nyen, Nguyen Trinh Thi, Park Chan-kyong 1…

30th May, 2017

PRESS RELEASE A national research centre of Nanyang Technological University, the NTU Centre for Contemporary Art Singapore (NTU CCA Singapore)…

24th May, 2017

PRESS RELEASE The Lab Blk 43 Malan Road 26 May– 1 August 2017    NTU Centre for Contemporary Art Singapore…

8th May, 2017

PRESS RELEASE Ulrike Ottinger China. The Arts – The People Photographs and Films from the 1980s and 1990s 27 May…

31st Jan, 2017

PRESS RELEASE The Making of an Institution 11 February 2017 — 7 May 2017 Media Preview: Friday, 10 February 2017,…

5th Jan, 2017

PRESS RELEASE CITIES FOR PEOPLE NTU CCA Ideas Fest 2016/17 13 – 22 January 2017 Projects, Workshops, Events 13 –…

28th Nov, 2016

PRESS RELEASE: NTU CCA Singapore Launches Inaugural Online Auction to Benefit its International Residencies Programme 1 – 14 December 2016…

13th Oct, 2016

PRESS RELEASE: The NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) is pleased to announce the fourth cycle (April…

8th Oct, 2016

PRESS RELEASE: A national research centre of Nanyang Technological University, the NTU Centre for Contemporary Art Singapore (NTU CCA Singapore)…

6th Oct, 2016

PRESS RELEASE: Incomplete Urbanism: Attempts of Critical Spatial Practice 29 October 2016 – 29 January 2017 CITIES FOR PEOPLE NTU…

27th Sep, 2016

CALL FOR APPLICATIONS: The School of Art, Design and Media (ADM) at Nanyang Technological University Singapore (NTU), in collaboration with the…

8th Jul, 2016

PRESS RELEASE: Amar Kanwar: The Sovereign Forest In collaboration with Sudhir Pattnaik/Samadrusti and Sherna Dastur 30 July – 9 October…

25th May, 2016

PRESS RELEASE: The NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) presents The Geopolitical and the Biophysical: a structured conversation…

7th Apr, 2016

PRESS RELEASE: SEA STATE by artist and former Olympic sailor Charles Lim Yi Yong, commissioned for the Singapore Pavilion for the…

9th Mar, 2016

ANNUAL PROGRAMME 2016: Our relationship with the natural world, the unseen landscapes and borders of the sea, the complex narrative…

6th Jan, 2016

PRESS RELEASE: The NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) is delighted to collaborate with the MIT List…

20th Nov, 2015

PRESS RELEASE: The NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) is pleased to announce the third cycle (April…

7th Oct, 2015

PRESS RELEASE: The NTU Centre for Contemporary Art Singapore is presenting for the first time in Southeast Asia the pioneering…

2nd Oct, 2015

CALL FOR APPLICATIONS: The School of Art, Design and Media (ADM) at Nanyang Technological University Singapore (NTU), in collaboration with the…

3rd Sep, 2015

PRESS RELEASE: NTU CCA Singapore presents an international symposium dedicated to the late photographer, theorist, photography historian and critic, Allan Sekula.…

19th Jun, 2015

PRESS RELEASE: NTU CCA Singapore presents Fish Story, to be continued, bringing together for the first time in Southeast Asia an…

9th May, 2015

PRESS RELEASE: The Geopolitical and the Biophysical: A structured conversation on Art and Southeast Asia in context Public Conversation at…

13th Mar, 2015

PRESS RELEASE: NTU Centre for Contemporary Art Singapore presents Hugging the Shore, the first major solo exhibition in Southeast Asia…

23rd Jan, 2015

PRESS RELEASE: No Country: Contemporary Art for South and Southeast Asia, organised by Singaporean and Guggenheim UBS MAP Global Art…

19th Nov, 2014

PRESS RELEASE: Yang Fudong, a leading international figure of contemporary art and one of the most important artists to emerge out…

13th Nov, 2014

PRESS RELEASE: The Singapore Art Book Fair (SABF) organised by Books Actually and HJGHER, returns for its second edition this…

6th Aug, 2014

PRESS RELEASE: NTU CCA Singapore Residencies hosts artists, curators, critics and scholars. At its core is a studio programme for…

5th Aug, 2014

PRESS RELEASE: The NTU Centre for Contemporary Art Singapore will present Theatrical Fields which introduces theatricality as a critical strategy…

10th Mar, 2014

PRESS RELEASE: From May 10 to July 20, 2014, Singapore’s Centre for Contemporary Art (CCA), a national research center of…

17th Jan, 2014

PRESS RELEASE: From 18 January to 30 March 2014, three acclaimed artists will showcase their video installations for the first…

14th Oct, 2013

ANNOUNCEMENT: The Centre for Contemporary Art (CCA)—a national research centre of the Nanyang Technological University (NTU) developed with support from…