Residencies Insights: The Curator as Meta-Artist. Modes of Curation in the Age of [Aesthetic] Uncertainty, lecture by Alfredo Cramerotti (Italy/United Kingdom), Curator-in-Residence —Events |  NTU CCA Singapore
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Residencies Insights: The Curator as Meta-Artist. Modes of Curation in the Age of [Aesthetic] Uncertainty, lecture by Alfredo Cramerotti (Italy/United Kingdom), Curator-in-Residence

23 Jul 2019, Tue 07:00 PM - 08:30 PM
The Single Screen, Block 43 Malan Road

In this lecture, Alfredo Cramerotti will discuss three curatorial projects which reflect different modes in which curatorial practice can function. Inspired by Beryl Graham and Sarah Cook’s Rethinking Curating. Art after New Media (The MIT Press, 2010), these three models are described as: 1) the iterative model, in which new projects grow around a selection of works of art or media, changing from venue to venue or from format to format; 2) the modular model, in which one embodiment of the project take places within a multilevel event structure, with the possibility to scale its elements up or down; 3) the broadcast model, where various people create their own infrastructure to circulate content (and the process of curating itself) under a regime of distributed responsibility. Arguing that these curatorial modes are hinged less on the “what” and more on the “how,” Cramerotti eventually defines the practice of working with a combination of these models as “acting as meta-artist.”

 

BIOGRAPHY

Alfredo Cramerotti is a cultural entrepreneur, writer, curator, and broadcaster. He is currently Director of MOSTYN, Llandudno  (Wales, United Kingdom); Head Curator of APT Global–Artist Pension Trust; and Associate Curator of CCANW (Centre for Contemporary Art and the Natural World).  In recent years, he has curated Sean Scully: Standing on the Edge of the World at the Hong Kong Arts Centre (2018), Shezad Dawood: Leviathan, Fondazione Querini Stampalia, Venice, Italy (2017), three national pavilions at the Venice Biennale (Mauritius in 2015, Wales and Maldives in 2013), and the biennials Sequences VII, Reykjavík, Iceland (2015) and Manifesta 8, Murcia, Spain (2010). He serves as Vice-President of AICA (International Association of Art Critics) and as editor of the Critical Photography book series. His own publications include Forewords: Hyperimages and Hyperimaging (2018), Unmapping the City: Perspectives of Flatness (2010) and Aesthetic Journalism: How to inform without informing (2009). Cramerotti is also a Doctoral Researcher in Communication Design and Photography at the European Centre for Photography, University of South Wales.

 

Image caption: Danilo Correale, Reverie. On the Liberation from Work (detail), ongoing collection of 12-inch LP vinyl records, variable dimensions, 2017. Courtesy the artist